Anita Obermeier publishes article on Merlin's Devil Conception in Arthuriana's special volume dedicated to "Arthur on the Stage."

In her most recent article, “Merlin’s Conception by Devil in William Rowley’s Play The Birth of Merlin” (Arthuriana 24.4 (2014): 48-79), Anita Obermeier argues that Rowley’s early modern play amalgamates both the medieval Galfridian-based and Francophone narratives of Merlin’s conception by daemon, incubus, and devil in order to engage contemporary early seventeenth-century debates on the devil’s influence in the world, to ventriloquize social commentary via the figure of the Clown, and to have Merlin hail Prince Charles as the future Arthur.